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CA-222 La Cathédrale de Chartres
Title in Caroline Armington’s etching record book: La Cathédrale de Chartres
Year: 1920
Number: 222
Size:
States: 5
Title on Print: La Cathédrale de Chartres
Initials or Signature and Date in Plate: CHA 1920 c.l.
Planned Edition: 100
Total Number of Impressions: 110
Numbers in Pencil:
One for ‘’ Bibliothèque Nationale’ ’not numbered
7, 48, 54, 57, 78, 91/100
Signature in Pencil: Caroline Armington
Dedication:
One for ‘’ Bibliothèque Nationale’ ’
Caroline Armington’s etching record book contains the following notes for this print:
1st state 1 print
2nd 1
3rd 1
4th 1
5th 8, 10,
Épreuve d’artiste 1/5 to 3/5
1 print for Frank not numbered
No 1 to 100
June 4, 1933
Plate presented to the Chalcography du Louvre
10th June 1933
Accepted by Mr Angoulvent
Receipt from Mr Henri Verne
Price in Caroline Armington’s etching record book: 150 f
Plate: The plate was donated to the Chalcographie du Louvre in June 1933.
The plate is still in the collection of the Chalcographie du Louvre. It has been steel plated.
The Chalcographie du Louvre is producing prints from this plate which are sold by the Louvre museum.
Collections:
Bnf
PAMA
Chalcographie du Louvre
Exhibitions:
Publications:
Comments:
One of the seven (7) Caroline Armington’s plates in the collection of the Chalcographie du Louvre (CA-219, 222, 226, 227, 233, 239 and 254).
In 1933, Paul-Jules Angoulvent was the Curator of the Chalcographie du Louvre (the museum’s copper-plate engraving department). While Henri Verne was the overall Director of National Museums, Angoulvent managed the department that specialized in the production and preservation of prints from original copper plates.
This plate (which has been steel plated) is still used today to produce contemporary prints sold through the Louvre's Boutique.
These prints (which are not numbered and not signed) should normally feature the distinctive Chalcographie du Louvre blind stamp (an embossed seal) in the margin, which distinguishes them from the limited editions Caroline prints.
This blind stamp is mandatory since the 2nd Empire (1852). Nevertheless, we have found some prints without it.
Steel-facing or steel plating involves a micro-thin layer of iron/steel applied through electroplating. This makes the surface hard enough to withstand hundreds or even thousands of impressions without the copper wearing down.