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CA-385 Le Pont Alexandre III, Paris

Title in Caroline Armington’s etching record book: Musée du Vieux Honfleur
Year: 1922
Number: 285
Size:
States: 3
Title on Print: Musée du Vieux Honfleur
Initials or Signature and Date in Plate: CA 1922 c.l.
Planned Edition: 100
Total Number of Impressions: 106
Numbers in Pencil:
One to ‘’ Bibliothèque Nationale’’ not numbered
Épreuve d'essai 3/5
4, 16, 19, 26, 47/100
Signature in Pencil: Caroline Armington
Dedication:
Caroline Armington’s etching record book contains the following notes for this print:
1st state 1 print
2nd 3
3rd epreuve d’essai 6, No 1 to 6
15?, 1 to 28
11,
3, 5 & 6 not numbered, changed to 23, 25 & 26
& No 44 to 56
Price in Caroline Armington’s etching record book: none.
Plate:
Collections:
Bnf
PAMA
The Museum of Fine Arts, Houston
Exhibitions:
-Grimsby Art Gallery, March-April 1993 Grimsby, Ontario, Exhibit and Sale, The Armingtons: Canadian Painter/Etchers in Paris; Frank Armington, Caroline Armington
-Galerie Dominion & Jan Johnson, Montreal, June 1993, Caroline et Frank Armington
Publications:
Comments:
Title in Caroline Armington’s etching record book: Le Pont Alexandre III, Paris
Year: 1927
Number: 385
Size:
States: 2
Title on Print: Le Pont Alexandre III, Paris
Initials or Signature and Date in Plate: C. Armington 1927
Planned Edition: 100Le Pont Alexandre III, Paris
Total Number of Impressions: 107
Numbers in Pencil:
One ‘’ À la Bibliothèque Nationale’’ not numbered
11, 16, 20//100
Signature in Pencil: Caroline Armington
Dedication:
Caroline Armington’s etching record book contains the following notes for this print:
1st state 1 print
2nd 1 for Frank on old paper
No 1 on old paper
1 to the Library of Congress
1 to the Bibliothèque Nationale
1 to Mr. & Mrs. Claus? Warren, Oct. 2, 1933
1 to Julia Shellabarger Porter
No 1 to 24
18 not numbered
Price in Caroline Armington’s etching record book: none.
Plate:
Collections:
PAMA
Exhibitions:
Etchings by Caroline Armington: December, 1929. Toronto: The Art Gallery of Toronto.
Publications:
Comments:
Surprisingly the etching dedicated ‘’ A la Bibliothèque Nationale’’ is not in the Bnf collection but in the PAMA collection.
Julia Curtiss Shellabarger (who would later become Julia Shellabarger Porter) was a prominent, American socialite from a wealthy Midwestern milling family.
Born in Salina, Kansas, in 1899, Julia was the daughter of Fred David Shellabarger, whose family founded and ran the highly successful Shellabarger Milling Company.
She was exceptionally well-educated for a young woman of the era. She had attended both the University of Kansas and the prestigious Sorbonne University in Paris, France
In 1926, she officially immigrated or relocated to San Francisco, California, a move heavily documented in her personal travel and residency history
.
Shortly after this period, on February 8, 1928, Julia married Joseph Franklin Porter Jr. in San Francisco. Her husband was the son of the president of the Kansas City Light and Power Company. Following a month-long honeymoon in Honolulu, Hawaii, they settled into the Hyde Park Hotel in Kansas City, Missouri, where Julia lived out much of her adult life as a prominent community figure. She passed away in 1985 at the age of 86

